The Royal New Zealand Ballet (RNZB) is proud to announce the world premiere in February of
a brand-new production of Macbeth choreographed by the internationally acclaimed Alice Topp.
A co-production with West Australian Ballet, and premiering as part of the Aotearoa New Zealand Festival and the Auckland Arts Festival, this bold and powerful new work places Macbeth at the centre of a volatile political and media world. Together with his formidable wife, Macbeth ascends
to dizzying heights of influence before their world unravels in a feverish spiral of ambition, guilt and bloodshed. Through the drama of dance, their descent is laid bare – an explosive portrayal of power gained and lost. 

“Macbeth is one of Shakespeare’s great tragedies, exploring themes as current today as they were when first written, says Topp. “An epic story fuelled by political ambition, passion, desire for power and the burden of guilt, its potency endures. Our Macbeth is set in a hierarchy-hungry, high-society city, where political storms, media frenzy, and personal ambition collide.”  

Award-winning designer Jon Buswell, a long-time RNZB collaborator, will create both set and lighting, while Sydney-based Aleisa Jelbart, renowned for her costume designs across ballet, opera and theatre, will bring a bold, contemporary aesthetic to the stage. A major new ballet for Aotearoa, Macbeth, presented in association with Avis, promises to be a searing exploration of power and downfall, told through the expressive, electrifying artistry of the RNZB.

The Winter Season in July sees the RNZB celebrate the outstanding and inspirational contribution of artists from the past, present and future with three stunning works. At its heart is the New Zealand premiere of Birthday Offering created by Sir Frederick Ashton for 14 legendary dancers, led by Dame Margot Fonteyn, to mark The Royal Ballet’s 25th birthday in 1956. These performances are part of Ashton Worldwide 2024-28, a global celebration of the choreographer’s works and artistic legacy.

Two dynamic and powerful ballets make up the season; choreographer Sarah Foster-Sproull’s Ultra Folly, created in 2020 it is a vibrant reflection on the nature of isolation and human contact, along with Andrea Schermoly’s Stand to Reason, which was created for the women of the RNZB in 2018 as part of the 125th anniversary of women’s suffrage in New Zealand.

Here dancers channel the courage and conviction of the women who won the vote. ‘Ten Reasons Why The Women Of New Zealand Should Vote’, published in 1888, serves both as inspiration and a sobering reminder that democracy is hard-won and never to be taken for granted.